PORTRAITS
These works use portraiture as a point of departure rather than a destination.
The individuals depicted throughout these series are approached less as subjects to be described than as spaces through which broader questions of intimacy, vulnerability, desire, identity, and connection can be explored. Rather than seeking definitive representation, the work remains attentive to ambiguity, contradiction, and the complexities that exist beneath outward appearances.
Some images move toward tenderness, others toward tension, longing performance, or uncertainty. Together, they examine the ways people are shaped by relationships, memories, expectations, and private experiences that often remain unseen.
Across the work, portraiture becomes less about likeness and more about recognition. The images invite viewers into encounters that are emotional rather than descriptive, creating space for reflection, projection, and personal interpretation.
Limited edition prints available upon request.
PORTRAITS
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UPDATED PORTRAITS
This series reconstructs historical paintings by replacing their central figures with collaged contemporary faces, assembled from fragments of advertising and fashion imagery, then re-photographed onto Polaroid film. Familiar compositions become inhabited by unstable, constructed identities.
The work questions the authority of images, particularly those that have shaped ideas of beauty, morality, and belief. By disrupting these inherited visuals, the series exposes how both historical and modern ideals are assembled rather than absolute.
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FACES
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SEX SCENES
This series examines the tension between human sexuality and the systems that shape how it is perceived. By collaging animal heads onto figures sourced from adult imagery and placing them within serene landscapes, the work disrupts familiar narratives around desire, shame, and acceptability.
The series highlights a contradiction: sexuality is fundamental to life, yet often burdened by judgment and control, while the same acts in the natural world are viewed without consequence. By removing human identity and reframing the scene, the images invite viewers to confront their own learned responses, and to question where those judgments originate.
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INTERIOR
FLOWERS
This series uses the cut flower as a metaphor for belonging, something placed, admired, yet already in the process of fading. Set within constructed interior spaces built from color and shape, these Polaroids explore the tension between being seen and feeling rooted.
Balancing beauty and decay, the work reflects a search for home, not as a place, but as a fleeting moment of presence before disappearance.
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ANIMALS
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