PAINTINGS
These works are constructed through a process of continuous line, each image emerging from a single unbroken path that moves across the surface until the composition resolves. What begins as a simple constraint quickly becomes something more complex. The line must continually adapt, finding its way through the image while maintaining its continuity, transforming the act of drawing into a process of discovery as much as construction.
The practice began out of necessity, during periods when photography became inaccessible, whether through circumstance, cost, or opportunity, drawing offered a way to continue making work. What started as a practical solution gradually evolved into a language of its own, one that has remained present throughout the years even as other parts of my practice expanded and changed.
The subjects shift between people, animals, flowers, and everyday scenes, but the underlying approach remains consistent. I am interested less in symbolic meaning than in the relationship between line, colour, and recognition, and how an image can emerge from simplicity while retaining a sense of complexity beneath the surface. The paintings often appear immediate and approachable, yet closer attention reveals the structure holding them together.
Colour plays an equally important role. The work deliberately embraces brightness, playfulness, and familiarity. While many of the paintings have been created during periods of uncertainty or personal difficulty, those conditions are rarely visible within the images themselves. Rather than documenting those experiences directly, the work moves in another direction, towards images that remain open, accessible, and visually generous.
Over time, the continuous line has become more than a process. It has become a way of seeing. Each painting begins with an image, but the final composition is discovered through the act of making, as the line slowly reveals a path from one part of the image to the next. What remains is a balance between structure and intuition, where a single uninterrupted gesture becomes capable of holding an entire world.
Paintings are Acrylic (and Graphite) on Heavyweight Cold Pressed Watercolor Paper Board, and available for purchase.
SELECTED WORKS
Figure having Coffee (2026) 18x24
Figure with pet Cat (2026) 18x24
Figure with pet Dog (2026) 18x24
Chair (2026) 18x24
Figure on Floor with Radio (2026) 22x30
Figure Kneeling (2026) 18x24
Kneeling Figure in Red and White #2 (2024) 18x24
Kneeling Figure in Red and White #1 (2024) 18x24
Flowers in Vase #3 (2024) 18x24
Skater (2026) 18x24
Figure petting a Cat (2024) 18x24
Dog #1 (2025) 18x24
Cat with Skull (2025) 18x24
Vehicle with Hood Open (2026) 22x30
Flowers in Vase #5 (2024) 18x24
Dog #3 (2025) 18x24
Self Portrait #1 (2024) 18x24
Flying Crow (2026) 18x24
Crow on Skull (2026) 18x24
Dog with Ball (2025) 18x24
Cat with Flower and Vase (2024) 18x24
Figure Lying Under Table with Drinks On Top (2026) 22x30
Flowers in Vase #4 (2024) 18x24
Kneeling Figure in Blue (2025) 18x24
Dancing Cat (2025) 18x24
PlayBoy Bunny Figure (2026) 22x30
Marylin in Red (2026) 18x24
Flowers in Vase #7 (2024) 18x24
Kneeling Figure in Black (2025) 18x24
Figure on Chair at Table (2025) 18x24
Figure on Chair #1 (2025) 18x24
Portrait of a Cowboy (2025) 18x24
Portrait of a Female (2025) 18x24
Figure Driving a Scooter (2026) 22x30
Figure Dancing in Dress (2025) 18x24
Figure on Chair #2 (2025) 18x24
Flowers in Vase #8 (2024) 18x24
You Aren't Alone Sign (2026) 18x24
Figure on Chair #3 (2025) 18x24
Figure at Table with Bottle (2024) 18x24
Figure Sitting in Chair (2026) 22x30
Dancing Cat (2024) 18x24
Flowers in Vase #2 (2023) 18x24
Water Diver (2026) 18x24
Self Portrait #2 (2024) 18x24
Portrait of Female (2024) 18x24
Flowers in Vase #6 (2024) 18x24
Portrait of Baseball Figure (2024) 18x24
Dog #2 (2025) 18x24
Self Portrait #3 (2025) 18x24
Figure Watching Television (2026) 22x30
Flowers in Vase #1 (2023) 18x24
Kneeling Figure Side Profile (2025) 18x24
SMall Talk Mickey and Playboy Bunny Tea Time (2026) 18x24
MURALS